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Pomegranite collage part 2

So you know that you have to kiss an awful lot of frogs to find a prince don't you??? Well apparently it's the same with collage - it's obviously going to take me lots of goes to get something useful, but that's what sketchbooks are for and I'm ok with sharing my failures!

Things I really liked about it: I liked the idea of having a separate shape in the layout which could be a focal point or just be an area of difference. I liked the balance of an offset shape and the addition of interest at one side. I liked the madness of the background texture.

Where I think I could improve: lesson the madness of the background texture. I should have concentrated and not gone down a well worn path and realized less is more. Use a graphic instead of a cut out image, and make sure it has some interest of itself ie a sketch/print. Make the side interest relate to the main image. Be a bit more delicate!

I started off with this:

Adding background papers 

Adding gesso

 Adding ink and posca pens

Adding paints to redo the pomegranite which looks more like an orange ball! No time to do anything meaningful here as I decided to abandon and try again.

Close up of background textures.

Finished thing!

Pomegranite collage - stage one

(Idea from Design Matters TV with Linda and Laura Kemshall. Step by step here: £1.50 for 32 mins run time and lifetime access )

Making a start, choosing a motif, and printing some papers for collage.

I've been having fun just recently with collages built up with random textures right at the start which I've then been drawing into with Posca pens etc

(Picture left) The start of the collage in an A3 sketchbook before the drawing stage. I was going to draw a building into this but then I watched the above and changed my mind, in favour of a new approach for the next piece.

Casting around the house for inspiration for a shape/motif I could use, I came up with this slightly withered pomegranite from the fruit bowl. Honestly, I have the hugest fruit bowl known to man and it's impossible to fill, and if you did fill it you'd never eat enough fruit to reach the bottom before there was a compost scenario.

Slightly withered pomegranite.

What fab colours!

I used the above photos to print a copy as a starting point and stuck it into my sketchbook.

For collage you need things to stick on your page and mysteriously I couldn't find my folder with the collected gems I've been saving, so I had to print some more and used a gelli plate with deli paper, which is nice and thin for sticking onto things. There's plenty of examples of how to do that on my blog - here for example if you're not sure.  (Below - making a start.)

I definitely didn't want anything considered, just a mad collection of textures and shapes in a limited range of colours that I thought might sit well with a pomegranite! It all may change later into the process but I've made a start and will finish for now in favour of a bit of early Christmas baking. Back soon, and thanks for tuning in!

BTW, do you like my print drier? It's invaluable if you like to paint or print onto papers. All I did was get a length of batten about 3cms wide and 1.5 deep, which I screwed cheap cup hooks into (start the holes off with an electric drill). I then found some really small pegs (not for clothes I think, but for hanging cards. They were from the £1 shop, and were a £1!) 😂 which I then screwed holes into one side of the top bit so they would slip over the cup hooks. This was a lot easier than it sounds with an electric drill. The whole batten with fittings was then stuck underside of a shelf with No More Nails. Voila! It's also above a radiator so things dry really quickly - if you're stuck you can hang your socks up to dry as well.

Deer and Doe Hoya Blouse

I liked the style of this pattern but when I bought it I had no specific material in mind. It was to add to the pile to make as and when I had time and felt like a new blouse!

It cost £15 from Guthrie and Ghani (no affiliations). The pattern is printed on thick paper so you could use over and over without a problem. There were layouts - not always an option on modern patterns. The instruction leaflet was comprehensive and gave good step by step instructions with plenty of illustrations.

Some patterns make you feel as if you have made something of quality that will last and last, but this one didn't. I wasn't in love with the neck facing or facing for the bottom of the blouse. They worked of course, but I'm sure there's a better way of putting the blouse together. My fabric choice was tricky to sew so maybe this didn't help.

I wasn't sure how this would fit as according to the body measurements on the packet I needed a size 18 which I found upsetting! (I'm normally between a 12 and 14) So I traced the size 18 onto paper and then made a toile.

The toile wasn't too bad but I altered the shoulder length. I also altered the front lapels and made them cross higher up as my bra was on show. I then added 2 darts into the back so that the blouse didn't balloon out on me and followed my back snugly. I used my Maven French Dart Shift pattern for this, and simply added the back darts to my pattern paper. (Lay the new pattern over the old one matching the arm hole and front where possible. This will ensure the proper placement)

The finished blouse.

The Blackwood Cardigan - Helen's Closet

 (No affiliations)

A few posts ago, I shared the experience of downloading my first pdf pattern  Yesterday I used the pattern to make the Blackwood Cardigan. I thought you may be interested in how I got on with the pattern, and if it worked.

First of all, I love it!! Although a faff to stick all those pages together, in all other respects it was the same as any other pattern. The instructions that also needed to be printed off were comprehensive, well illustrated, and easy to follow and I'd give a 10/10 for that! There are plenty of little speech bubbles in the instructions filled with extra little beginners tips. I'd be very happy to use another pattern from Helen's Closet if and when I come across them.

The front page says this is for an advanced beginner, but I think anyone could have a go at this - the only slight caveat to that, is the front bands as they go over the back neckline, need a little easing to get in the fullness at the back*.

The pictures of people wearing the cardigan, in the instructions and those online show it to be edge to edge but not terribly full, so at best, the edges only meet as shown in my photo above. I didn't twig this until after it was made. This isn't a problem and is quite lovely, but if you're expecting something a bit fuller or if you want to wear a jumper under it, you might like to make a bigger size.

The pockets were stitched onto the front of the cardigan using a piece of tissue paper between the fabric and the machine. This, and lots of pins, were recommended so that the pocket stayed flat when you sewed and didn't buckle. I tried this and it worked very well. I think it also helps to have the right needle in the machine - my fabric is sweatshirting, and I needed one for stretch stitching. As the pockets are on show, it's worth taking time over this. You could leave them off of course, but where would you put your tissues, pieces of string, conkers etc.

Sewing through the fabric layers and tissue paper.

Removing the tissue paper after sewing.


* I find the best way to ease in fullness is to either slightly gather, or if it's not much, then just fold all the layers over your fingers as you pin, making sure the extra bit of fullness is on the outside so it takes up more fabric.

I did like the sleeve construction; the sleeve top was sewn in along the armhole before sewing the sides, (above). This is easier than fitting it in after the sides have been sewn - it doesn't take much juggling this way because the armstic and sleeve head are the same size.

The sleeves are then finished by making a continuous line of sewing along the side seams and into sleeve seam (a little pivot at the turn). There's not much else to add - just a question of following through the instructions.

Nerine - a painting

Watercolour on A3 paper  (Painted after watching a video by Linda and Laura Kemshall )

I decided to splurge on a small set of artist quality watercolours. I chose Sennelier as they seemed best value at the moment.

Having the right paints has made a difference of course, and these ones are quite soft and full of colour which makes painting with them much easier than acrylic.

I started with a sketch I did a while back in one of my sketchbooks - it's a nerine.

I have nerines growing in the garden at the moment, and they bring a lovely shot of colour at this time of the year.

I transferred the drawing to my paper, and then began to apply colour quite carefully.

I built the colour slowly, darkening by dropping in colour where I thought it was needed. I did pick one nerine from the garden as inspiration, but I've got to be honest, they are just basically pink!!

I haven't done a background on this as I wasn't sure where to go with it, so for now I'll just leave this as finished.  It's quite a quick process and very satisfying.

A3 sketchbook collage, Baddesley Clinton

I really like the speed of these collages as its a painless and easy way to keep a visual diary. This afternoons entry in my sketchbook was Baddesley Clinton.

Putting in the base collage, and adding ink.

 Knocking back with more gesso. Adding more papers and collage.

Finished drawing - water soluble pen, posca pens, pencil.

Fabric shops - a couple of useful links

New fabric and patterns.

I've bought some sweatshirting for the pdf cardigan pattern I downloaded. As you can see I got a bit carried away but couldn't resist the lovely orange and gold of the other fabrics. I also bought 2 new patterns to have a go at.

A local shopkeeper gave me the names of 2 dressmaking shops that have a wide selection of fabrics. Neither are particularly cheap (I'd really recommend a visit to the rag market in Birmingham for value for money) but they did have some good quality brands and modern colourways.

I'm sharing them with you because out of curiosity you might like a look, and they both do online sales (no affiliations, just for fun)  Here's a link to the Guthrie and Ghani blog which has tips and ideas. This shop is in Moseley - a lovely part of Brum

The second recommendation given to me was The Fabric Godmother  I've had a look at the shop and the blog and will be visiting online fairly soon - after I've used up a little bit of my existing stash! They seem to have a very wide range to choose from.

Non watercolour, watercolour flowers

From an idea by Design Matters TV  (If you go to the home page you can find out about all sorts of stuff - there are some free videos too)

I've not tried watercolours lately (I had a brief experimental spell about 20 years ago, but it didn't work out!) and felt rather inspired after Linda's workshop and itched to have a go.

Well, you know me, I didn't have the right paints, and no watercolour paper, but that didn't stop me. It was pouring with rain but I donned my new mac (100% absolutely waterproof) and toddled to WHSmiths shop to buy some paper - they didn't have any watercolour paints and anyway, it's a bit near the end of the month to be indulging in a lot at this stage.

So I thought I'd try hi-flow acrylics.  These paints have a very high pigment content and are water soluble. They stain the paper immediately, so the trick is to wet the paper with clear water or dilute paint first, and then drop the paint in with the tip of your brush using undiluted colour. The results are very vibrant!!

Photos aren't always accurate, and the area on the right is very shiny as it's gold leaf.  Call this one an experiment; the brain is brewing a thought or two about this idea. As a beautiful watery, sploshy, deliciously coloured watercolour painting, I know this leaves a lot to be desired, but it's a start and I'll try again soon.

Update - 2nd go, still not the effect I'm after. 


My last post about the Stylearc tunic top explains how I got on with the pattern, but I did add an extra step - understitching - here and there. Here's a step by step about how to do that so you can improve how facings/pockets etc sit a bit better.

Understitching is a line of sewing that doesn't show on the front of the garment but holds facings flat.

1) Attach your facing in the normal way (below: a neck facing stitched to the neck of a tunic top) Press the seams towards the facing. It's easier to do this from the right sides.  The neck facing and seams will then be together and away from the rest of the tunic etc.

Pin the facing to the seam behind it to keep it all from moving when you sew.

From the front, sew along the facing and through the seams. Keep as close to the edge as you can.  I have used an 1/8 inch seam but it can be bigger if it's easier. I use that little red dot on the machine foot as a guide.

You will end up with this. Your new second row of stitching will be below your seamline.

Fold over and press. Your new sewing will be on the inside and won't show on the front.

Excuse the odd colour of this photo!! Here you can see the neckline after pressing with the understitching tucked to the inside. This means the facings will be kept in place and the finish is much neater.

Sloooow sewing, Stylearc - Daisy Designer Tunic

There are 2 ways of sewing clothes IMHO. One is at a great rate of knots to whip up something wearable in no time at all - quick, cheap, lovely and serviceable. The other involves a slower process taking your time and enjoying the making for it's sheer pleasure and taking delight in doing something in the best way you can, or as I call it, Sloooooooow Sewing.

I came across Stylearc patterns on Amazon. The drawings on the front of the patterns looked stylish and I thought they'd suit my shape. I risked buying one as they were reasonably priced and I'm trying as many patterns brands as I can. (no affiliations)

Below is the finished tunic.

Now, how did I get on? Details of the problems and joys are expanded on in the post about making, below but here's a quick view.

Ease of use  6/10 If you have some experience, it's fine. I would hesitate to recommend this pattern to a complete beginner as instructions are minimal and caused some anguish at times. The pattern pieces aren't numbered, and the printing is poor quality - if you run the iron over the print by accident it smudges badly.

Did the finished article look like the drawing?  8/10 Yes I guess it did but wasn't quite as full at the front as the drawing made out, but was fine. It fitted well in the size I made and I could possibly have got away with a size smaller. I was between 2 sizes according to the measurements on the packet so went for the larger....Captain Sensible.

Would I make again?  6/10 Possibly in a light summery drapey material. I would do away with the pockets which aren't necessary and don't help the hang on the front. Would I buy this brand again? I'd choose a pattern then google it to look at the images of other peoples makes. If I liked it in real life I'd tackle another!


I call this make slow sewing because I bought the fabric on the Birmingham Rag Market - linen at £2 per metre. I then dyed the fabric using Soda Ash, Salt, and a good tablespoon and a half of Procion Indigo Navy dye mix MX-2G. You can read more about my dyeing process here.

Here's my finished cloth

I started with 3 metres but was down to 2.5 by the time this had shrunk in the dye vat, and the ensuing hot soapy washes in the washing machine to rid it of excess dye.

The instructions are printed on the pattern sheets and you have to cut them out. As you can see they are minimal with no step by step illustrations which frankly would have been useful for the pockets. There were minimal images for layering the hem bands, and it wasn't clear. There were no layouts for cutting out.

There was a little note on the pocket bit which said See In Seam Tutorial, but no note as to where. I'm guessing on their blog. The layering tutorial I came across by googling. In essence you have to do some folding and pressing so you can sew through all layers together, which means the stitching shows on the front. Meh.

I was also left with a flapping hem band facing, and ended up stitching it to the hem band. It didn't show and is absolutely fine, but I couldn't find an explanation how you were supposed to deal with this.

Keep the iron off the printing or you'll end up with no pattern!

The finished top.